Nadine Feldman, Author

celebrating strong female characters and whatever else strikes my fancy

books

Happy Labor Day!

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In the world of the upcoming novel Jane, the Factory Girl, mill workers grind it out 14 hours a day, five days a week, then 10 hours on Saturdays. Sundays are the only day off. Even children work long hours, though less than the adults. Workers were often asked to work in unsafe conditions, and wages could be cut at the whim of the mill owners.

It’s hard for me to grasp what that world was like. They say “write what you know,” and there’s no way I can truly know what day-to-day life was like for my great-great grandparents, to whom I gave fictionalized lives in this book. My own existence is cushy in contrast. Even when I did hold a full-time job, I never had to work under those conditions.

On this Labor Day, let us remember that the development of unions provided safer environments, reduced work hours, and provided protections to workers to keep their jobs.

Recently in New York City, the Teachers Union was able to successfully postpone school openings until later this month to create a better environment to protect students, teachers, and staff from COVID-19.

My late father was a union worker. Thanks to the union, he was paid a decent wage that allowed him to provide for his family. My younger brother belongs to the International Brotherhood of Electrical Workers.

Unions aren’t perfect. In some cases, they have taken on their own corruption. And at times it appears police unions, while valuable, have protected rogue cops who use excessive force. As with all organizations, unions have their flaws and must be held accountable when they go too far.

Yet unions are at risk in these uncertain times. The existence of unions has benefitted even non-union workers, so let us today pay homage to unions and all they have provided. We don’t want to go back to the days of Jane, the Factory Girl.

The Dutchess is Keeping Me Sane (Sort of)

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I’ve made it no secret that I’m not fond of social media. I have stopped and started Twitter accounts so often it’s impossible for anyone to find me. Too often I find myself getting into arguments with strangers (who may not even be real people). I’m trying again, this time hoping to avoid that fate by limiting who I follow, especially in the political realm.

Upon my return to Twitter, my stepdaughter Sarah told me about one Duchess Goldblatt and sent me a link to a New York Times article about this mysterious, sage, and very anonymous persona that has hooked thousands of followers.

The Duchess, for the ten people who don’t know who she is (I am late to the party) is a fictional 80-year-old author who lives in the equally fictional Crooked Path, New York. She dispenses cleverness and wisdom in every post. She is a major fangirl of Lyle Lovett, and over time the feeling has grown mutual.

Duchess Goldblatt recently came out with a memoir, Becoming Duchess Goldblatt. She has written the book as the person behind her creation. In stories both funny and sad she tells of a life that had fallen apart: losses of job, marriage, and friends in a short period of time. The Duchess started as a way to help her cope, and ended up helping her heal.

Though I knew little about the Duchess before buying the book, I was enthralled with the writing. It’s an easy read, but I still found myself putting it down from time to time to absorb her words. It’s likely I’ll browse back through it another time or two. Despite hiding behind a fictional character, the author behind the Duchess is an incredibly authentic human being.

The Duchess says her Twitter feed is a refuge for the broken-hearted. For me, her feed and her book have provided a bit of light in these dark times. As we continue to tend to ourselves and each other, we need to find that light wherever we can.

A Truly “Delicious!” Book

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The reading gods are continuing to smile upon me as I work through a trove of novels that are absolutely wonderful! I don’t often get a streak like this, and many times so-called must reads don’t flip my button at all.

This week’s selection is Delicious! A Novel by Ruth Reichl. This is her first novel, but she’s written a lot about food in The New York Times, The Los Angeles Times, and more. She’s published non-fiction books as well, and I’m now eager to read all of them! So it makes sense that her first novel would be about, well, food.

Billie Breslin is a young woman with a perfect palette who doesn’t cook. We don’t know why, though I promise, all will be revealed. She has dropped out of college to take a job at Delicious!, a food magazine.

As Billie struggles to create a life for herself far from family, she builds a friendship with Sal and his wife Rosalie, making his cheese shop her second home. Then there’s Sammy, the eccentric and fabulous travel writer, and Jake, the owner of the magazine. Oh, and let’s not forget Mr. Complainer, a regular customer of Sal’s!

It’s hard to write more without adding a lot of spoilers, so I’ll just add that there’s a whole subplot devoted to certain letters addressed to James Beard, who in this novel once ran Delicious!. These letters, and the story that is revealed from them, are in my opinion the meat of the book.

Billie’s past will break your heart. But along the way, there is a lot of joy, friendship, and community, plus the smells and tastes of food that will make you hungry while you read. Yes, there are recipes at the end.

One More Walk with Julia

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She looked sad as she moved to the front of the room. For a moment I thought I saw tears in her eyes. Turns out I was right. As author and teacher Julia Cameron took the stage, she opened by telling us about a long-time colleague of hers who had died two days before. She asked us to send prayers and then bravely began the weekend workshop.

This is the level of authenticity I have respected and admired for more than twenty years. Julia has written more than forty books, and she has never tried to present her life as perfect. In her searing memoir Floor Sample, for example, she details her challenges with mental health issues. Yet her honesty never feels self-serving or pitying. It’s life, baby, and the cure for the pain is self-compassion and making art. On that she never waivers.

Having practiced The Artist’s Way all these years, I have experience firsthand how it changes lives. When I first pulled the book off the shelf in the summer of 1997, I was a writer who didn’t know how to start writing. Previous attempts had resulted in a great deal of creative wounding, even from so-called writing teachers.

Seeing Julia again (my third time), I was still surprised at how the simple tools of Morning Pages, Artist Dates, and fill in the blank exercises could pull so much out of me. Late in the weekend I felt breathless, stripped bare. Several days later, I am still processing what happened, noticing subtle and not-so-subtle shifts…everything from deciding to order a decent blender to digging in deeper to my novel-in-progress.

As a long-time veteran, I was pleased to meet so many people who were new to the book. Some had been given a copy years before and felt like the time is now. I was able to share the many changes life had brought as a result of doing this work: several books, with more in process; a college degree at age 45; multiple new interests, including gardening; an amicable divorce (a direct result of doing Morning Pages); and a happier, healthier marriage.

For an entire weekend I got to have “real” conversations with people, tossing aside small talk and pretense in favor of what was in our hearts. We laughed, we cried, we hugged, and we rooted for each other’s success, regardless of our chosen art form(s).

At the end of the weekend, I felt renewed. And Julia no longer looked sad. Her blue eyes were bright and merry in spite of her grief.

For me, the workshop was a chance to see the master in action once again, and to bring my love and gratitude. I came to The Artist’s Way because I wanted to write. What I gained was that and so much more.

Delight!

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When the Fair Folk, the Fae, the Fairies, showed up in the manuscript for Factory Girl, my first impulse was to shoo them away. I had an idea of what the story was about, especially since it is based in part on an actual life.

But the magic of the Fae will not be denied. As with other stories I have written, the story that wants to be told will stomp its feet and hold its breath until I pay attention. Woe be to me when I do not!

As I have finally surrendered to this development, I have moved beyond researching Scottish folk tales and into the play of it. I ordered fairy houses and other delights for my new garden. I am enjoying The Faerie Handbook: An Enchanting Compendium of Literature, Lore, Art, Recipes, and Projects by the editors of Faerie Magazine (now called Enchanted Living). Yes, there is a magazine! Who knew? I’m also reading Faeries by Brian Froud and Alan Lee, filled with art and essays about the Fair Folk.

These new activities are activating something unusual in my ordinarily serious nature: delight. At 60, it appears I am finally reclaiming the joy of childhood.

Yesterday I added some text to Factory Girl where Jane sprouts wings for the first time. It was an extraordinary moment for me. Jane’s life is filled with challenges, and Factory Girl takes a hard look at life in industrial 19th-century Scotland. The magic of Factory Girl does not diminish the harsh realities or even make them easier to bear. Rather, it is about the curious thing that happens in our lives when great sorrow and great joy coexist side by side with each other.

Delight is not about ignoring the suffering of the world. It is about finding that which is beautiful so ugliness does not consume us. It is about finding joy that resides within us even when life is hard. It appears I still have much to learn from the Fae. I’m so looking forward to share with you what they are sharing with me!

Writer Updates #amwriting #womensfiction

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I continue to read, read, read, but I am refilling my well with new books. Not to worry, there are plenty of good ones out there! No doubt next week I’ll be back to share my latest good reads.

In the meantime, I thought I’d share an update on my own work.

I’m revising two separate projects, both of them very different, and I’m having a wonderful time! First is Factory Girl, set in late nineteenth-century Scotland. Though the inspiration for the book is my great-great grandmother, Factory Girl includes a fairy rebellion as well! It wasn’t my intention, but they showed up in my story, and I decided to let them stay.

The other is untitled as yet. It’s a contemporary women’s fiction work about Elaine, a 60-year-old woman who has been the rock, support, and head cheerleader for her family, but who now wants to explore her own dreams. With a husband who has decided to jump into politics and a daughter who drops off the grandson without much notice, Elaine is meeting a fair amount of resistance! There’s also a handsome art teacher and an untrustworthy friend in the mix. I just finished the second draft, so this may take a while, but it’s a promising project.

Meanwhile, we continue to try to sell our home in the Pacific Northwest so we can move full-time to the East Coast. So far, the market is oddly quiet, so our move date remains uncertain. But these are good problems to have! In the meantime we’re enjoying a summer that is generally mild and pleasant (with the exception of air quality — we’re affected by fires in British Colombia), and I’m getting lots of yummy fruit from the garden.

See you next week!

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Nadine’s latest novel, What She Knew, is available on Amazon.